Développement de recherches et d’études méthodologiques concernant le théâtre

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Introduction sur les cours

Etudes d’archives théâtrales

Etudes d’archives de films

Etudes théoriques sur le théâtre (Etudes théâtrales occidentales et comparatives)

Etudes théoriques sur le théâtre (Etudes chorégraphiques)

Etudes théoriques sur le théâtre (Etudes théâtrales d’Asie (chinoises))

Etudes sur le théâtre japonais traditionnel (Noh et Kyogen)

Etudes sur le théâtre japonais traditionnel (Ningyo-Jyoruri et Bunraku)

Etudes sur le théâtre japonais traditionnel (Kabuki et Danses japonaises)

Etudes sur l’environnement culturel pour le théâtre

Etudes d’archives théâtrales course is building a database of the information and materials on collection at the Tsubouchi Memorial Theatre Museum and converting that information over to digital format, in order to build a foundation for study activities at the Theatre Research Centre. An attempt is being made to solve problems that arise during this process taking into consideration the peculiarities of the materials themselves and how they are used. The collection of the Tsubouchi Memorial Theatre Museum is vast in quantity and features are wide diversity of genre, so careful attention is being paid to subtle differences. It is being cataloged and organized so as to gain an understanding of what actually exists in the collection as soon as possible. Plans are to make cataloged information available for searching as it is stored on our server.

Etudes d’archives de films course is promoting studies through the following projects.
1. Griffith Project 2. Newspaper Archives 3. Other Archives

The course in Theoretical Studies of Theatre (Western/Comparative Theatre Studies) consists of several lectures given by researchers at the frontline of theatre studies in each Scandinavia, France, Germany, England, USA and Ireland. Through the lectures and active discussions, students deepen their understanding of the present state of theatre in the West and the latest theories in theatrical arts. Also, a variety of Individual Research Projects are undertaken by faculty members and the cooperation of stage artists is obtained to develop a plethora of study activities in yet unexplored areas. Furthermore, constructive support is given to special research students who are writing their doctoral thesis, by providing them an opportunity to report their work and having them attend the COE Seminar. These are the three core elements of the course in Western/Comparative Theatre Studies.

The study activities of Theoretical Studies of Theatre (Choreological Studies) center around two core projects: (I) "Basic Seminar on Choreological Studies in Japan" and (II) "Collection of Miyabi Ichikawa's Dance Archives". The objective of (I) is to identify topics that will lead to the establishment of choreological studies in Japan by understanding research trends both inside and outside Japan in the various fields of research. The objective of (II) is to prepare the collection of dance materials donated by late Prof. Miyabi Ichikawa of Waseda University for public disclosure and, by this, build a foundation for choreological studies. Few Japanese universities offer courses for major in choreological studies. And, there are not any libraries and museums in Japan that specialize in choreography. Given the bleak situation, much hope has been placed in this course. Past seminars and workshops have fomented meaningful interaction as they have been attended not just by faculty and students of this university but also by outside researchers and students. (Director: Yasuko Kataoka, Visiting Professor, School of Letters, Arts and Sciences, Waseda University)

The course in Theoretical Studies of Theatre (Asian (Chinese) Theatre Studies) promotes study activities around the theme of "Chinese Theatre and the Modern Age". As described in the Annual Activity Report, in 2003, multiple opportunities to research and discuss the aforementioned theme were made possible by inviting researchers from Mainland China, Taiwan and Japan. In 2004, it is our intention to offer intensive study activities on the individual topic of "The Body, Education and Politics in Contemporary Chinese Theatre", while at the same time continuing to create an environment for research and discussion of the various topics concerning "Chinese Theatre and the Modern Age".
Also, the course accepts collaborating researchers rather than graduate students as Special Research Students. For this reason, there is not a schedule of regular lectures and seminars. Researchers who are interested in the aforementioned themes are welcome to apply as Special Research Students or Visiting Researchers.

The Noh and Kyogen course develops research and study activities around the below two projects.
1. Studies of the Reproduction of Old Musical Instruments for Noh Music
2. Studies of the Reproduction of Noh Songs

The puppetry of Jyoruri and Bunraku are forms of theatre. They are ancient performing arts and have been named UNESCO World Heritages. But, they can entertain present-day audiences only with performances that adhere strictly to traditions. The Ningyo-Jyoruri and Bunraku course will look at what has been handed down over these past three centuries and how that should be passed on to the future, by delving academically and practically into the problem of how to hand down this form of theatre. It will not be limited to textbook research as studies will take the form of instructive guidance by having performers at the forefront of Bunraku show diverse methods for reviving and performing original works. This should have the effect of handing down of Ningyo-Jyoruri and Bunraku, while also activating Bunraku performances in the truest sense of the word.

The Kabuki and Japanese Dance course aims to establish a new field of theatre studies by fusing the study of expression in Kabuki and Japanese dance with academic research. Around a core of text-based studies, students will analyze expressive techniques via audio-visual materials. And, with the cooperation of performers, they will attempt to revive historically important works, reproduce lost expressions and perform rare works.

The Cultural Environment for Theatre course looks into the use of public space. Study and education will center on the three pillars of research projects, the COE Seminar for Special Research Students, graduate students and faculty, and lectures with speakers from outside the university.

Bureau central de recherches théâtrales
Le Musée du théâtre commémoratif de Tsubouchi, l’Université Waseda
1-6-1, Nishi-Waseda, Shinjuku-ku, Tokyo 169-8050
Tél.: 03-5286-1829
Copyright 2005 Musée du théâtre commémoratif de Tsubouchi, tous droits réservés.